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September 3, 2010

Effective Cooling Tower Water Treatment

Filed under: Db Electrical — Tags: , , — opengat @ 2:34 pm

Here in the Phoenix metropolitan area, adverse water conditions require intelligent water treatment strategies to adequately maintain water cooled equipment. Proper management of the characteristics of the cooling tower sump water along with maintaining good tower hygiene in general accomplishes at least four positive things.

1) It avoids wasting excess water.

2) It inhibits scale formation.

3) It controls biological growth.

4) It reduces the corrosion rate of metal parts in the tower.

Let’s discuss how a cooling tower operates to understand why proper water treatment is important.

Most residents in the valley are familiar with an evaporative cooler. Water from the evaporative cooler sump is circulated by a pump over pads in the evaporative cooler and outside air is drawn through the pads. As the air is drawn through the wet pads some of the water evaporates and cools the air. The cooler air is then circulated into the space where cooling is desired. In the process of cooling the air, the water being recirculated across the pads is also cooled.

That is exactly the same principle being employed in the cooling tower, but on a much grander scale. Rejecting large quantities of heat from a building’s mechanical system requires a lot of water to be evaporated. For example, a one hundred ton water cooled chiller operating at full capacity for 24 hours would require the evaporation of more than four thousand gallons of water. That brings us to the subject of the characteristics of the make up water. Make up water is the water supply that replaces the water being evaporated in the cooling tower.

Here in the metro area, water conditions vary widely because our water comes from several different wells as well as surface sources. The water quality may change rapidly over a short period of time because different sources are utilized for the water supply. Each well has different water characteristics and they often vary widely from one side of town to the other. Water that comes from surface sources, like the Central Arizona Project will usually have significantly different characteristics than well water. Surface water quality may also be influenced by weather conditions such as drought or increased runoff.

As water evaporates in the cooling tower all of the non-volatile components stay behind in the sump of the cooling tower. There is actually a lot more in water than what we would call hardness (carbonates). There are also chlorides, suspended dust particles and biological microorganisms. As more and more water is added to replenish the water that is being evaporated, these dissolved and suspended components in the sump water continue to accumulate. If no measures are taken to control the concentration of these components in the water, the solution eventually increases in concentration to a point where “stuff” starts coming out of solution. This “stuff” ends up getting deposited on the surfaces that the water comes in contact with.

Have you ever seen an evaporative cooler where the pads haven’t been changed for a long while? I’ve seen them so encrusted with mineral deposits that the blower could no longer pull air through them. I’ve also seen them produce a bounty of biological growth in the sump water. That is exactly what will happen in a cooling tower without adequate attention to hygiene and an appropriate water treatment strategy.

When solids that are dissolved in water come out of solution they are deposited first on heat exchange surfaces and surfaces where the water is being evaporated. Heat exchangers, water cooled condensers, drift eliminators, the tube bundle in closed circuit cooling towers and the fill in open cooling towers are a few examples of surfaces where this occurs.

Deposition of mineral scale, dirt and biological fouling on any heat exchange surfaces can result in reduced heat transfer, reduced tower efficiency and increased energy costs. While reducing deposition of these is important with regard to the cooling tower, it is absolutely critical to avoid scaling or fouling in the water cooled condenser. Scaling and fouling in the condenser significantly reduces heat transfer capability and will seriously impact energy costs, performance and reliability.

A two part strategy is usually employed to manage the mineral content of the sump water. Part one is to maintain the sump water pH within allowable limits and to feed the correct type and amount of chemicals to help the water keep more of the dissolved solids in solution. Part two is intentionally sending some of the sump water down the drain (blow down). Blow down reduces the highly concentrated mineral content of the sump water by diluting it with the fresh make up water being added to replace the intentionally wasted water.

Biological growth can also become a significant health risk depending on the particular organism involved. Allowing mud and biological growth to accumulate in the sump of a cooling tower can accelerate corrosion of the sump and shorten the life cycle of the cooling tower. It can also provide a haven for microbes to escape the effects of a biocide.

Proper water treatment strategy and good cooling tower hygiene is not a one size fits all solution. The quality of the make up water will require an adjustment of the type of the chemicals and biocide utilized. It may also require changing feed and blow down rates for proper control. In addition, these requirements may be altered by the characteristics of each individual cooling tower installation.

According to Alan Bateman of DB Water Technologies, there are several things a good cooling tower water treatment program should address in order to be effective. They are total dissolved solids (TDS), hardness, pH, chlorides, suspended solids, an appropriate method for biological control and a proper blow down strategy. Each cooling tower manufacturer publishes recommendations for maintaining proper water conditions of the sump water. The advice of a qualified water treatment professional is advised to ensure that each item above is included in your overall strategy for cooling tower water treatment.

Mark Strahan is a 35 year veteran of the HVAC industry and is currently an account manager with Burt-Burnett, Inc., an HVAC mechanical service and EMS controls contractor. Mark can be reached with comments or questions at (480) 557-8593 or strahan@burt-burnett.com

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September 2, 2010

MIG Or Wire Feed Welding Process Overview

Filed under: ARC — Tags: , , — opengat @ 9:54 pm


Image : http://www.flickr.com

This process is called by many names and it basically is a welding process that uses an arc to heat metal that needs to be joined. The welder uses a continuous feed filler metal (a consumable) electrode and this is used on the work-piece. This type of welding also must use a shielding that is provided by a gas or a mixture of gasses.

This type of welding is also called short circuit transfer. In the MIG process, when the wire actually touches the metal to be connected, it lets go of the metal that does the welding. This makes sure that metal doesn’t transfer across an arc so there is no puddling.

Also known as gas metal arc welding, the MIG(GMAW) process uses a metal gun to provide this service instead of a torch so that you get a direct current going to the metal. You can use both constant current and alternating current systems to also produce this method of welding.

GMAW uses four ways to transfer metal. These are:

Globular – this method is difficult and used the least because it has a tendency to spatter because the gun will move to a high heat without warning. This makes the welding surface come out with flaws. This method uses carbon dioxide so the electrode tends to produce a ball of melted metal that cases irregular shapes that are bigger than the electrode. They then drop and falls onto the piece you are working on which causes a spatter. This is difficult to control as you would imagine.

Short circuiting – this uses a smaller current than the globular method but it still uses carbon dioxide. Because of the lower current you can actually weld thinner metals together with this method. This method is similar to the globular method because drops of melted metal from the electrode still forms, but it causes the electrode to short circuit instead of the drops falling on the work. This closes off the arc but comes back again because the surface tension pulls the metal goblet from the tip.

Spray – this was the first method for transfer used with GMAW and used to weld aluminum and stainless steel. The difference with this process is that the electrode metal passes through an electric arc that is stable and goes all the way to the workplace. This stops spattering and you get a weld finish that is higher quality than in other methods. You also will watch as the current and voltage increases so you get small, vaporized steam droplets instead of large globules.

Pulse spray – this last one is a newer way of doing this type of welding that uses a continuous current that pulses and melts the filler wire. In each pulse a small droplet of metal will fall.

This also allows the welder to use a lower current. The welder gets a more stable arc and this stops spatter and the short circuiting process. Because this process is slower, argon gas is used instead of carbon dioxide as the shielding gas.

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Filed under: Lauren Merkin — Tags: , , , , — opengat @ 2:24 pm


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The History of the Tenor Guitar

Filed under: Db Electrical — Tags: , — opengat @ 11:55 am

Many people confuse tenor guitars with a regular acoustic or electric guitar, because they do have a similar appearance. However, the former only have four strings, while their counterparts have 6. They usually have a slightly smaller body as well than most standard guitars. These guitars are most commonly used with jazz and blues style music.

A tenor guitar is usually a few inches shorter than a 6 string guitar, and have a round shape, similar to a banjo. They can be both electric and acoustic, and can come in metal, hollow and solid body types. A true tenor will of course always have only four strings, however.

The roots of the tenor can be traced almost one hundred years ago, and were mainly produced by banjo manufacturers. By the mid 20′s, with the rise of jazz, high profile companies such as Gibson and Martin were heavily producing these guitars. However, as electrics grew more prominent, many of these manufacturers stopped producing the tenors.

While a 6 string is the standard for rock, tenor guitars are still used for other genres, including pop and western musical genres. In fact, one of the most famous uses for the tenors is a musical style known as “Texas fiddling”, which has a rich history dating back to 1914. Today, there are annual fiddling contests that feature the tenors prominently.

Still, the tenor isn’t widely known, even by many long time guitarists and since they were mostly made in the US, tenor guitars can be pretty hard to find. Which makes many of these guitars quite valuable, if they are still in good shape.

Tenor guitars have started to receive more attention within the last few years by not only musicians, but private collectors as well. Hopefully more and more people can spread the words about these very influential instruments and help show how versatile and valuable they are to the guitar family.

Are you interested in guitars? Read more articles on my blog about such topics as buying the best acoustic guitars or the perfect toy guitar for your little one.

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September 1, 2010

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Filed under: Back2Life — Tags: , , , — opengat @ 11:01 am

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Home Recording Studio Equipment – Warning! Extremely Cheap

Filed under: Db Electrical — Tags: , , , , — opengat @ 12:37 am

Most people turn away from setting up a home studio for personal convenience due to the large amount of money that has to be invested into such a project in terms of purchasing large amounts of expensive home recording studio equipment. Mixers, sequencers, drum machines, monitors, recording interfaces…

Who can afford all of that stuff? Is it even worth it?

Well, that depends entirely on how you’re willing to spend your money when buying your own home studio equipment. It is true, if you’re looking to purchase high end home recording studio equipment, it can break your bank. However, all is not lost – as you can now set up your very own studio with your own home recording studio equipment on the cheap with the help of this article.

So, what is a good Home studio composed of?

Most people will suggest Monitors, Speakers, a Guitar recording interface, Drum Machine and a Mic Pre-amp as a necessity when it comes to recording studio equipment. All the rest of the functions of a generic studio can be carried out by a DAW (Digital Audio Workstation) such as Cubase, CakeWalk, Nuendo and many others.

The total cost of such a setup will be vastly lower than what you would have paid if you chose to purchase analog track recorders and so on. When it comes to purchasing home recording studio equipment, it’s necessary to think smart. If you need a Guitar Recording Interface and a Mic Pre-amp, don’t buy two pieces of home recording studio equipment. Look for something that performs both functions.

A good example would be the Line 6 Pod Studio UX1, which costs just over $150, produces amazing guitar sounds with over 50 cabinet and amp simulations, as well as acting as an interface for your mic! The powerful Pod Farm application that comes with this little tool allows you to add studio quality effects to your vocals or guitar, removing the need for unwanted excess studio fx.

This interface not only supports guitar and vocals, but can act as a recording interface for virtually anything. It’s USB 2.0 out produces virtually lossless sound with ASIO input into your DAW, resulting in latency free real time monitoring and dB adjustments from both the input and output ends. This is truly a piece of home recording studio equipment you don’t want to miss out on!

Buy Behringer

The company Behringer produces very high quality electronics for the price, and high quality monitors and speakers can be obtained from them for as little as $150.

DAW’s

When it comes to DAW’s, you have literally hundreds of choices. However, Steinberg’s Cubase is the most popular choice for most recording artists, producers and mixers that use home recording studio equipment to generate amazing studio quality sound. It is the perfect combination of usability and complexity and has strong support for VST Instruments, that will eliminate the need for Synthesizers and Drum Machines, and therefore will result in you saving money not having to buy more home recording studio equipment.

The Drums

The perfect replacement for a drum machine is the program Reason or the VST Plugin EZDrummer. These two pieces of software are amazing choices to eliminate the need for more home recording studio equipment in terms of a drum machine or an electric or acoustic drum kit. Create powerful drum sounds with this plug in that will blow people away!

That’s it…

In conclusion, your equipment can be as cheap as you want it to. Many people fail to realise this and spend thousands of dollars dishing out cash on analog gearto perform functions that could be done by a $100 piece of hardware. Save by purchasing the hardware mentioned in this article and you’ll have plenty of cash left over to expand your already well stocked home studio with more professional home recording studio equipment later down the road. Remember, the goal is to purchase as little equipment as possible, without compromising on the performance of a home studio had you bought seperate home recording studio equipment for each function in your studio. Good luck!

Ed Byrd is a Home Recording enthusiast and musician. You can get his famous FREE Home Recording Guide and much more on his website. Click on this link to get the free guide http://www.HomeRecordingCenter.com.

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August 30, 2010

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Filed under: Steve Madden Shoes — Tags: , , , , — opengat @ 1:50 pm

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Easiest Guitar Basics – The Parts of the Guitar

Filed under: Db Electrical — Tags: , , — opengat @ 1:21 pm

If you are absolutely new to or are just thinking about learning to play the guitar, it is very possible that you don’t know the names of any of the parts to a guitar or even the difference between an acoustic and an electric guitar. So let me start at the very beginning by giving you explanations on the easiest guitar basics.

First, there are two general types of 6-string guitars – The acoustic and the electric.

Both of these guitars have 3 major parts; the head, the neck and the body.

The acoustic guitar has a hollow body with usually a round sound hole just under the strings. A few acoustic guitars have “f” holes shaped the same as the “f” holes on a violin.

The electric guitar usually has a solid body with one to three “pick-ups” on the body under the strings. They are designed to be plugged into an amplifier.

The head of the guitar has six tuners. These are what are turned to get the guitar in tune. There can either be three tuners on one side and three on the other or all six tuners on one side. On some electric guitars they also have metal guides on the head. These are called “string trees.”

The next part of the guitar is called the neck. This is where you your place your fingers to play.

The strings naturally run the entire length of the neck. The strings are lined up and evenly spaced being separated by the grooves in the nut.

The nut is the piece of plastic or other material that is where the head of the guitar finishes and the neck begins. It runs the width of the neck.

The back of the neck is where your thumb is placed. The front of the neck, where you place your fingertips is called either the fingerboard or the fretboard. Both names are correct. The frets themselves are the thin steel pieces that run the width of the neck. You’ll notice that the fretboard has between 20 – 24 frets, depending on the style and make of the guitar.

Also, all guitars except for the very inexpensive ones have a steel rod called a truss rod going through the inside of the neck. It is not visible. This truss rod allows a technician to adjust the height of the strings by adjusting or eliminating the curve in the neck.

Finally, the dots that are on the fingerboard and along the edge of the neck are called position markers. This is to let the player know where any fret is at a glance.

The third part of the guitar is the body. As mentioned earlier, the guitar can either be acoustic or electric.

The acoustic guitar body has the top board which is also called a soundboard, the sides and the back. Inexpensive guitars have a laminated soundboard, the sides and the back.

Laminated means it’s plywood. For a beginner this is just fine providing the guitar strings are easy to press.

As guitars get more expensive the top board is solid (usually spruce or cedar). In very expensive guitars, the top, sides and backs are all solid woods. Solid woods give a richer tone.

The final part of the body is where the strings attach. This is called the bridge. The strings go into a hole on the bride and are held in place with the bridge pins which look like six little round buttons. As the strings rise out of the body they cross a thin usually white piece of plastic or other material know as the saddle.

The electric guitar body is usually solid wood although there are semi-acoustic as well as full acoustic, electric guitars. There are a number of different body shapes. Also a number of different woods and mixes of woods used to build the bodies.

Instead of a sound hole the electric guitar has pick-ups. These are rectangular shaped and sit below the strings. Electric guitars have a toggle switch to turn the different pick-ups on and off which will change the sound of the guitar when it is plugged into an amplifier. There are also volume and tone controls as well.

The final part of the electric guitar is the bridge. Again, this is where the strings attach to the body of the guitar. There are a number of different designs of electric guitar bridges.

Now to go to the next step, download my free guitar basics e-book, “Guitar – How to Get Started” which is available at http://www.easiestwayguitar.com You’ll also receive my Getting Started Mini Course – 7 Useful Tips for Beginners.” Brian Hawthorn began playing the guitar in the mid 60′s and is a professional musician, guitar teacher, author and consultant.

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August 29, 2010

If Ever I Would Leave You

Filed under: Back2Life — opengat @ 4:54 am

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